Catalog of Compositions
Tukanos (2011) for guitar and chamber orchestra. Commissioned by Nilko Andreas Guarín and the Azlo Orchestra. Vince Lee, Conductor. World Premiere, Weill Recital Hall, Carnegie Hall, New York, 11/11/2011
Duration: approx. 14:00
Todavía (Still) (2011) for soprano or tenor, mixed chorus, and chamber orchestra (SSAATTBB) (16 voices) Text by Aurelio Arturo. (Version available for mixed chorus a capella).
Duration: approx. 10:00
Cantares para Orquesta (Songs for Orchestra) (2000) Excerpt from Las Palabras
Selected by The Women's Philharmonic New Music Reading
Sessions. Mary Chun, conductor. Cowell Theatre
at Fort Mason Center,
San Francisco, 6/15/02
Premiered by the National Philarmonic Orchestra of Venezuela, XVI Festival Internacional de Música Latinoamericana. Germán Cáceres, Conductor, Asociación Cultural Humboldt, Caracas. 5/29/10
De Las Travesuras y Percances del Amor (Pleasures and misfortunes of love) (1999) cantata
for soprano, tenor, chorus and chamber orchestra; texts by
Colombian poet León De Greiff. Commissioned by the
Ministry of Culture of Colombia.
Las Palabras (Words) (1997) for mezzo-soprano and orchestra; texts by Octavio Paz. Dedicated to David Diehl.
Duration: approx. 35:00
Reflexiones (Reflections) (1991) for violin., viola, 'cello and string
orchestra. Winner of the 1994 Riverside Symphony's First International Composers Reading Project in New York. George Rothman, conductor. Miller Theater, Columbia University, NYC.
Premiered by the National Symphony of Colombia. Luis Biava, conductor. Teatro Colón, Bogotá, 7/10/92
Comala (2015-) Opera in three acts based on the novel Pedro Páramo. Libretto by the Colombian writer William Ospina. Work in progress.
Pedro Páramo (2015) Cantata for narrator, tenor, baritone, mixed chorus and four instruments (fl./bass fl., cl./bass cl., perc. and vlc.). Commissioned and premiered by Cantori New York. Dedicated to Mark Shapiro. Based on the novel Pedro Páramo by Mexican writer Juan Rulfo. Text adaptation by S. Jenny Potes-Curci. The soloists were: Peter Tantsits, tenor, Dan Kempson, baritone and Alfonso Díaz, narrator. Church of St. Luke in the Fields. 5/16/2015
Duration: approx. 60:00
Tregua Infinita (Boundless
Truce) (2002) for reciter, alto saxophone. and harpsichord.
Commissioned by Marshall Taylor. Texts by Alba L. Potes.
Premiered by Marshal Taylor, Joyce Lindorff and Stella Potes. Rock Hall, Philadelphia, 4/21/02
Lamento (2017) for saxophone alto and harpsichord. Commissioned and dedicated to Joyce Lindorff and Marshall Taylor for their upcoming CD. Duration approx. 3:00
A Due II (2013-2017) for tiple and guitar. Commissioned by the Roger Shapiro Fund for New Music. Dedicated to Bill Anderson and Oren Fader.
Oleajes (Waves) (2003- revised 2015) for string quartet. Work in three movements dedicated to Momenta Quartet and commissioned by the Independence Fellowship for the Arts. Premiered by Momenta Quartet, New Castle University, England, 7/10/08
Duration: approx. 11:00
Changing Trains in Times Square in 30 Seconds (2014) for violin and piano. Commissioned by Miranda Cuckson and premiered by Miranda Cuckson and Yegor Shevtsov. Las Américas en Concierto, Greenwich House Music, New York City, 2/23/2014
Tríptico (2013) for Colombian tiple and piano. Commissioned by the Anderson-Forsyth Due. World premiere at the International Festival Camerata 21
Veracruz, Mexico, 9/26/2013
Duration: approx. 6:00
A Due (2013) for Colombian tiple and guitar. Commissioned by The Roger Shapiro Fund and dedicated to Bill Anderson and Oren Fader. World premiere presented by Vox Novus - Composer's Voice, Jan Hus Chuch, New York City, 6/23/2013
Duration: approx. 7:00
Tres instrumentos para un tema obstinado (Three Instruments for an Insistent Theme) (2013) for flute/alto flute, guitar/Colombian tiple (optional) and double bass. Commissioned by Sue Ann Kahn.
Premiered by the
League of Composers ISCM (Sue Ann Kahn, William Anderson, guitar/tiple and Lewis Paer).
Tenri Cultural Center, New York City, 3/30/2013
Evening Conversations (2011) for two bass flutes. Commissioned and premiered by Sue Ann Kahn and Peter Sheridan, Flute National
Association. Convention 2012, Las Vegas.
Duration: approx. 8:00
The City Visited (2003) for viola and piano. Premiered by Stephanie
Griffin (viola) and Blaire McMillen (piano), The New York Wolpe Festival, the League of
Composers/ISCM and the Americas Society.
York City, 4/10/03
Y la brisa trae aroma de cadmia...
(and the breeze carries a scent of cadmia…)
(2002) for fl., vl., vlc., piano and percussion. Commissioned
and premiered by Music of Changes. Dedicated to Kenneth Diehl. Herbert Zipper Recital
Los Angeles, 4/3/02
Tres Miniaturas para las Mariposas Ausentes
(Three Miniatures for the Absent Butterflies) (1998)
for cl., bn. and piano. Version available for fl., bass cl.
and piano. Published by the Hildegard Publishing Company.
Premiered by Trío Neos, XI Foro de Música Nueva,
México City, 5/24/99
Cánticos para Cinco (Canticos
for five players) (1998) for ob., hn., vl., vlc. and piano.
Premiered by Parnassus 25th Anniversary. Merkin
Concert Hall, New York, 11/23/98
Cantos Escondidos (Hidden Songs) (1995) for alto sax. or Eng. hrn., vlc. and piano. Commissioned by Marshal Taylor. Premiered by Marshall Taylor, Ovidio Marinescu and Charles Abramovic. Rock Hall, Philadelphia,1/28/97
Aprisa (Swiftness) (1994) for fl., vlc. and piano. Dedicated and premiered by Temple University Faculty Trio. Cynthia Folio, fl., Jeffrey Solow, cello and Charles Abramovic, piano. Temple University, Philadelphia, 3/4/94
(1991) for fl, ob., cl., hn., vl., vc., piano and two
percussion players. Premiered by Contemporary Players,
Chamber Music with Voice
Horizontes, Tres cantos de cuna para todos (Horizons, Three Lullabies for Everybody) (2017) for soprano, Colombian tiple and guitar. Texts by Charles Ives and Augusta Ives. Premiered by Vox n Plux at the Fifth Annual Concert of LAEC at the Church of St. Luke in the Fields. 5/30/2017
Duration: approx. 8:00
En Silencio (2013) for mezzo-soprano, guitar or Colombian tiple and guitar. Text by Herbel Hernando Potes Bejarano. Commissioned by Voix n Plux. (The Anderson-Fader Guitar Duo with soprano Elizabeth Farnum
Duration: Approx. 5:00
Todavía (Still) (2011) for mixed chorus a capella (SSAATTBB) (16 voices) Text by Aurelio Arturo. (Version available for tenor, mixed choir, and 10 players).
Duración: aprox. 4:00
Coplas Andinas (Andean Couplets) (2008) for soprano and harp. Text by the Venezuelan writer, Manuel Felipe Rugeles and from the Cancionero Traditional de Antioquia. Commissioned by Angelique Zuluaga.
Dulzuras (2004) for soprano
and guitar. Commissioned by the Office of Academic Affairs
of Hostos Community College, CUNY for the opening ceremony
of the Sixth Conference of Caribbean Hispanic Women Writers.
Texts by Cuban writer Dulce María Loynaz. Premiered by Thelma
Ithier-Sterling, soprano and William Anderson, guitar.
York City, 4/28, 04
¿Qué puede ser? (What could that be?) (2004) for baritone or mezzo-soprano, double bass and percussion. Texts from the Hispano-American Colony: Sor Juana Inés de la Cruz, Mexico and Madre Francisca Josefa del Castillo, Colombia.
Entre Arrullos y Madrigales (Between Madrigals and Lullabies) (2002) for soprano,
fl. cl., vlc., piano and percussion. Texts by Colombian
poet Aurelio Arturo. Commissioned by the Sala Luis Angel
Arango/Banco de la República.Dedicated to Joseph Ruscitto. Premiered by Susan Narucki
and The New York New Music Ensemble. Sala Luis Angel
Arango, Bogotá, 9/9/02
At 50 (1999) for contratenor
and archlute. Text by Derek van der Tak. Dedicated to Matthew Greenbaum. Premiered by Mark Rimple.
Canciones Nocturnas (Nocturnal
Songs) (1993) for soprano, fl., cl. and vlc.; texts by Spanish
poet Jorge Guillén. Premiered by soprano Guynne
Cushing and the Network for New Music, Institute for Contemporary
Canciones a lo Ausente (Songs of Absence) (1993) for baritone and piano; texts
by Jorge Luis Borges. Dedicated to Herbel Hernando Potes Bejarano. Premiered by Steve Kalm and the
League of Composers/ISCM. Merkin Concert Hall, 2/11/94
A los Pájaros (To the Birds) (1995) for mixed chorus based on texts
by Octavio Paz. Published by the Ministerio de Cultura
Siete Haiku (1992) for soprano
or tenor and piano; texts by Jorge L. Borges. Premiered by
soprano Julieanne Klein and Music of Changes, Herbert Zipper
Concert Hall, Los Angeles, 4/3/02
Canciones a la Tierra (Songs for the Earth) (1989) for
voice, cl. and piano. Texts by Alba L. Potes and Hernando
Potes. Premiered by III Festival de Música Contemporánea
de Colombia, Bogotá, 1993
Solo Instrumental Music
Entre lineas (Between Lines) (2019) for solo oboe. Commissioned by the Chilean oboist José Luis Urquieta. World premiere programmed at the Roerich Museum, Saint Petersburg, Russia, 7/18/19
Duration: approx. 8:00
Soliloquios (Soliloquy) (2012 - 2108) for solo piano. (The three pieces can be played individually, in pairs or all together in any order.)
Solliloquio I (2012) for solo piano. Commissioned by Martha Marchena.
Soliloquio II (2018) for solo piano. Commissioned and dedicated to Bertha Lucía Tello Olave.
Soliloquio III (2018) for solo piano. Dedicated to Beth Levin.
New York Close-Ups for piano. Work in progress commissioned by David Holzman.
Silhouettes (2016) for solo violin based on ten photographs by Susana Juniu.
Commissioned by Susana Juniu.
Amarillas eran sus mariposas (Then, his butterflies were yellow) (2014) for solo bass clarinet. Work written in memory of Gabriel García Marquez and dedicated to Harry Sparnaay.
Duration: approx. 6:00
Rupturas (Breaches) (2012) for solo guitar. Work in three movements dedicated to Nilko Andreas Guarín, William Anderson, João Luiz Rezende Lopes, Sergio Puccini and Francisco Roldán. Commissioned by Luz Borrero. Premiere of first movement at the IX Annual Encuentro NYC- Colombian Music Festival. Nilko Andreas Guarín, guitar.
Le Poisson Rouge, NYC, 11/11/12
Entornos II (Glances II) (2010) for alto sax. Commissioned and premiered by Edwin Ricardo Aguillón Pachón. Audiovisual Room, Universidad Autónoma de México, 6/2/2011, México City.
Triste (Sadness) (2010 - 19) for solo violin. Written for Miranda Cuckson.
Duration: approx. 5:00
Desde el Aire: Seis Instantes (From the Air: Six Instants) (2010). Commissioned by Ana Cervantes for her upcoming CD Cantos de la Monarca/Mujeres de México. Premiered at the Festival Internacional Cervantino, Guanajuato, México, 10/18/10
Duration: approx. 5:00
Traces/Homage to Bach (2010) for bass flute. Commissioned and premiered by Sue Ann Kahn, Mannes College of Music. New York City, 3/20/10
Duration: approx. 5:22
El Jardín de Tomás (Tomas' garden) (2007) for solo piano. Commissioned, dedicated to and premiered by David Holzman
Apacible (2004) for
solo viola. Commissioned and premiered by Stephanie Griffin. Mannes College of Music, New
York City, 2/19/05
African Museum of the SMA Fathers, Tenafly, NJ, 11/6/11
Duration: approx. 12:00
Entornos I (Glances II) (2005) for
solo alto sax. Commissioned and premiered by Marshall Taylor. Mannes College of Music, New
York City, 2/19/05
Piezas para Espantar los Demonios de la Noche (2005) (Pieces to Disperse the Demons of the Night) for solo piano. Commissioned and premiered by Blanca Uribe, Weill
Concert Hall, Carnegie Hall, New York, 5/26/05
de Arrullos (Touches) (2001) for solo cello. Commissioned
and premiered by Charles Forbes. Trinity Center for
Urban Life, Philadelphia,
Sings a Song of Peace at Least Once (1999) for solo percussion. Premiered by Raúl Vergara, Concierto
de Primavera, Church of St. Luke & the Epiphany, Philadelphia,
Tres Piezas Breves para Piano (1994-1997)
Dedicated to and premiered by Charles Abramovic, Rock Hall, Philadelphia, 3/15/01
Ternura de las Grullas
(Tenderness of Cranes) (1995) for solo flute. Commissioned
by María Elena Tobón. Premiered by Cynthia Folio.
Rock Hall, Philadelphia. 2/21/97
Suaves Gritos (2017) musique concrète based on the recording of works written for Marshall Taylor, alto saxophone, Joyce Lindorff, harpsichord and S. Jenny Potes-Curci, actress. Commissioned by Joyce Lindorff and Marshall Taylor for their upcoming CD.
Between the Edges (2001) Documentary on the Colombian exiled artist/muralist
Ana Uribe directed by Joseph M. Ruscitto
Manuela Libretto in Spanish by Alba Potes for an opera in four acts based on the life of Manuela Saenz.